Two Poems by M.T.C. Cronin [Introduced by Thomas Moody]

M.T.C. Cronin has been among the most prolific Australian poets over the course of the last three decades, having published more than twenty volumes of poetry since her debut collection Zoetrope: We See Us Moving in 1995. Her poetry has won a number of Australia’s major literary awards, including the prestigious Gwen Harwood Memorial Poetry Prize.

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Cronin has a background in law, and while she rarely, if ever, refers directly to her legal work, her poetry often draws parallels and incongruities between law and poetry, their distinct styles, languages and processes. In a 2009 lecture, Cronin asked if, as a test of poetry’s worth, we should apply to the poem Ann Scales’ statement on law as a social tool: “It is only extrinsically important, its actual value depends on its success in promoting that which is intrinsically valuable.” Cronin’s answer was an emphatic no: “Poetry’s purpose is not to provide solatium. Poetry’s purpose is not to get there, and poetry is neither extrinsically nor intrinsically important. Poetry is not a tool… its purpose is unintended and its purpose is undesigned… All that is undecided lives in poetry, and this aids decision.”

The Audited Heart

 

Words went up to the front and fought and were wounded

And died and returned home and were paralyzed –

The slippery survivors parsed together so that we may listen

To their swords

 

The clatter

 

That's where the teeth are, not in the mouth

But in the hand, stretching out for the heart behind it

This cage of holy acceptance

 

The race to the bottom of that red place

Snake, that thing, that turns there

Settled under the chest because there is only war here

 

Violence on the coast

In the corridors

The country designing itself, vacant and threatening

Without need to measure the space between this word

And my last

 

The present grows smaller and smaller

As the future grows larger and larger

The Australian's book was written

Following an oath taken never to write

Again. Everything

Had too much importance,

Too little

 

I do not want to rest my fate on the ordinary,

On security – I want to talk to everyone!

 

But God is not a parent

Not a mother or a father

And you must also look beyond my voice

To hear my voice authentically

 

Even I, who did it, must search for evidence of what I did –

So tired that there is no occasion I will rise to

Nothing intimate in my movements towards the world

I cannot rest on my own hand

 

Beauty, even of clouds, alerts me

To the partiality of the flower

I have held the smallest man's hands

The strength still in them, of a giant

 

And

Raising my laugh to the level of a physical characteristic

Say: Don't be restless with others' love

For these organs, these unreliable means of detection

Are the very ones which find the major violations

 

Like that three-eyed fish running

In the river behind our homes

 

 

The Story Of Someone Who Knows Nothing

 

Betraying no journeys, what might be is visible from here

The colours as new as the ones you see all the time

 

I am horrified by the fact that I am not in a war

(and there are wars)

 

Do I want an epoch to happen

So that my poetry may have some place to suffer

 

And become golden?

 

These poems first appeared in issue #8 of Jacket