"Cayuga Lake, Ithaca NY," watercolor by Nari Mistry
Dear Stacey,
I am in receipt of your letter and will say I was pretty tickled when I saw the first mention of Ithaka in Homer's verse because I knew that you were reading it from your own Ithacan abode. I wrote "Stacey!" in the margins beside line 30 and then again alongside line 213:
Another thing — this too I ought to know –0
is Ithaka new to you, or were you ever
a guest here in the old days? Far and near
friends knew this house; for he whose home it was
had much acquaintance in the world.
I had not planned on quoting so much of what I've read thus far, but I had also not expected to encounter such music. The sound of it! Sometimes I read lines out loud just to hear the iambic pentameter or a spondee, or some combination of both ("My word, how mortals take the gods to task!"). I actually scanned some lines in pencil, although I have not attempted to do any such thing since Campbell McGrath assigned The Poem's Heartbeat many years ago in graduate school.
Good god, I was an awful scanner and have probably flubbed the above line now as well. But I wanted to share with you how Homer's long song has inspired me to listen, more carefully and with less judgement, not only to whatever words I find on a page but to the sounds around me: the rattle of a maintenance man's cart, footsteps in the hallway. A spare kind of music. It is so quiet here as I write this to you from South Florida; even the mockingbirds have taken a break from their summer chatter.
Yours,
Emma