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10 POETS FOR THE REVOLUTION [by Christopher Soto]
Many of the early-career poets that I come across in MFA programs, major publications, conferences, readings are writing in a similar fashion— first person narrative poems, left aligned, less than one page in length,…
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10 POETS FOR THE REVOLUTION [by Christopher Soto]
Many of the early-career poets that I come across in MFA programs, major publications, conferences, readings are writing in a similar fashion— first person narrative poems, left aligned, less than one page in length,…
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Three Stranger Encounters of the New York Kind [by Alan Ziegler]
I reach a supermarket corner—a one-way aisle with two-way traffic—and encounter a suited man. When on a collision course with a stranger, you choreograph a little dance ending with a nod and a smile.…
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Three Stranger Encounters of the New York Kind [by Alan Ziegler]
I reach a supermarket corner—a one-way aisle with two-way traffic—and encounter a suited man. When on a collision course with a stranger, you choreograph a little dance ending with a nod and a smile.…
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SAD GURL: The Consumption and Contextualization of POC Pain [by Christopher Soto]
I always wanted to be a sad white girl. I wanted to be sad like Lana Del Rey. I wanted a sadness that could be so universal, that it’d move everyone to tears.…
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SAD GURL: The Consumption and Contextualization of POC Pain [by Christopher Soto]
I always wanted to be a sad white girl. I wanted to be sad like Lana Del Rey. I wanted a sadness that could be so universal, that it’d move everyone to tears.…
