Maurice Manning: Pick of the Week [ed. Terence Winch]

M manning 2012 bw  web                                              photo by Steve Cody

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The Slate

 

Way back, the men had funny names

like Tiny, who was anything

but small, and Tiny’s son was called

Tiny Too or Double T,

and Tiny’s wife who was big and mean

was known as Honey, and everybody

called Honey’s sister, Birdie, and Birdie,

who couldn’t talk much less whistle,

was beautiful but touched in the head,

so Birdie lived with them way down

in Fog Town Holler, beside

the green waters of Shoestring Branch,

and only the land was rightly named,

for it was foggy half the day down there

and the branch was skinny and whipped across

the mossy roots and rocks like a snake;

but by the time I came along,

Tiny and Honey were already planted

and Birdie was bent-over and old

and Tiny Too was getting on

and sleeping in the chicken coop

with fourteen chickens and a rooster

named Mister Sump, and Sump was short

for Something, and Tiny Too just said

he liked the company, and besides

he had to guard the chickens against

Redleg Johnny who was a fox,

because Mister Sump was only good

at making chickens, and Tiny Too

would have winked about that sort of thing,

and all of this—I learned it young,

when I was just a scratch of a boy

and I skipped down Shoestring Branch

to Fog Town Holler and found

Old Tiny Too, who told me where

I was from, and who my people were,

and how they named the world around them.

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Maurice Manning's eighth book of poems, Snakedoctor, is forthcoming from Copper Canyon Press in 2023.  His fourth book, The Common Man, was a finalist for the Pulitzer prize, and his first book, Lawrence Booth's Books of Visions, was selected by W.S. Merwin for the Yale Series of Younger Poets.  A former Guggenheim fellow, Manning lives with his family on a small farm in Kentucky and teaches at Transylvania University.

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Angelo Maria Crivelli 17Th Century Animals Scene  Oil on Canvas
                      Angelo Maria Crivelli, Animals Scene. 17th-Century. Oil on canvas.