Lost, Eyes Open [by Dante Micheaux]

“From
that time forward a profound change set within me.”

                                                —Edward
Carpenter, after reading Leaves of Grass

 

“Because you have, as
it were, given me a ground for the love of men I thank you continually in my
heart…For you have made men to be not ashamed of the noblest instinct of their
nature.”

                                          —Edward
Carpenter to Walt Whitman, July 12, 1874

 

When
I read Carpenter’s autobiography, particularly passages on the experience of
reading Walt Whitman, there was such a familiarity. Years ago, I too had what
Will Self describes as an epiphanic moment of empathy, when I first read a poem
by Carl Phillips. I will not mention the title of the poem, as Phillips has
since annulled it, but it was the gateway to all of his poetry. He is the only
poet whose work has evoked the same emotions in me as music does. Reading a
poem like “Custom” is very much like listening to Jessye Norman sing “Thy Hand,
Belinda” or Yolanda Adams sing “In the Midst of It All”—I know myself better
having done so. It is an immense gift that poetry gives its readers and why we
must never lose it. Here is Carl Phillips at his best:


Parable

 

There was a saint
once,

he had but to ring
across

water a small bell,
all

 

manner of fish

rose, as answer, he was

that holy, persuasive,

 

both, or the fish

perhaps merely

hungry, their bodies

 

a-shimmer with

that hope especially
that

hunger brings,
whatever

 

the reason, the fish

coming unassigned, in

schools coming

 

into the saint’s hand
and,

instead of getting,

becoming food.

 

I have thought, since,
of

your body—as I first
came

to know it, how it
still

 

can be, with mine,

sometimes. I think on

that immediate and
last gesture

 

of the fish leaving
water

for flesh, for
guarantee

they will die, and I
cannot

 

rest on what to call
it.

Not generosity, or

a blindness, trust,
brute

 

stupidity. Not the
soul

distracted from its
natural

prayer, which is
attention,

 

for in the story they
are

paying attention. They

lose
themselves eyes open.

Epigraph 1: Carpenter,
Edward. My Days and Dreams. London:
George Allen and Unwin Ltd., 1916.

Epigraph 2: Traubel,
Horace. With Whitman in Camden.
New York:
Rowman and Littlefield, 1961.

"Parable":
Phillips, Carl. Quiver of Arrows. New
York
: Farrar, Straus and Giroux, 2007.