In Shakespeare
In Shakespeare a lover turns into an ass
as you would expect. People confuse
their consciences with ghosts and witches.
Old men throw everything away
because they panic and can=t feel their lives.
They pinch themselves, pierce themselves with twigs,
cliffs, lightning, and die — yes, finally — in glad pain.
You marry a woman you’ve never talked to,
a woman you thought was a boy.
Sixteen years go by as a curtain billows
once, twice. Your children are lost,
they come back, you don’t remember how.
A love turns to a statue in a dress, the statue
comes back to life. O god, it’s all so realistic
I can’t stand it. Whereat I weep and sing.
Such a relief to burst from the theater
into our cool, imaginary streets
where we know who’s who and what’s what,
and command with Metrocards our destinations.
Where no one with a story struggling in him
convulses as it eats its way out,
and no one in an antiseptic corridor,
or in deserts or in downtown darkling plains
staggers through an Act that just will not end,
eyes burning with the burning of the dead.
— James Richardson