Ajanaé Dawkins: Pick of the Week [ed. Terence Winch]

Portlock Shoot   web________________________________________________________________________________________

Happy Hour with My Mother

Grown don’t mean nothing to a mother. A child is a child. They get bigger, older, but grown? What’s that supposed to mean?” – Toni Morrison

 

I knew I was grown when we swapped

virginity stories at the bar. Too sweet

pomegranate martinis against our lips. A neon

sign humming into the wall. Once, you too

made love for the first time. We have both made

terror and other things. Remember- at 16,

you put my hand on the Bible to swear I hadn’t

made love? I’m grown and can confess I’ve made

more. I’ve made fog. Flower fields. Green. I’ve made

honey and slug. I’ve made winter trees. I’ve made

another self within myself. I’ve made ghosts

who would haunt the men who were making

with me. Between the ghosts, I made idols

of love. O golden calf. Right now, the vodka in my blood

is making something against loneliness. I didn’t lie.

It was years until I could make love and when I did,

I made more.

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Ajanaé is a poet, multimedia artist, and theologian. Through poetry, visual art, performance, and audio she explores the politics of faith, grief, and intimate relationships between Black women. As a theologian, she blends criticism, memoir, and theology as autotheory to consider the relationship between Black church history, spirituality, and creation. Her work has appeared in the Academy of American Poets’ Poem-a-Day, The Rumpus, Prairie Schooner, and more. Her solo-exhibition, No One Teaches Us How To Be Daughters, debuted at Urban Arts Space (2024). Her chapbook, Blood-Flex, won the New Delta Review‘s prize. Ajanaé is a co-host of the VS Podcast.

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Felicity O'Connor Adoration of the Golden Calf (after Poussin).                                                             Felicity O'Connor, Adoration of the Golden Calf (after Poussin).