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“Don’t Come In” [by Angela Ball]
Don’t Come In I prefer the sign “No Entry” to the one that says “No Exit.” – Stanislaus Lec If for you, women are toy carswhose wheels you strikeon the…
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Don Berger: Pick of the Week [ed. Terence Winch]
photo by Peter Berger ___________________________________________________________________________________ Leaving the Tavern How long should my morning be? They've never known who I am but I don't feel time's gone…
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“You, Reader” [by Major Jackson]
So often I dream of the secrets of satellitesand so often I want the moose to stepfrom the shadows and reveal his transgressions,and so often I come to her bodyas though she were Lookout…
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For Summer: Poems by Latina/o/xs: Roberto Carlos Garcia
Down these mean streets, 2017, Roberto Carlos Garcia from Mixtape for City Kids from Dysfunctional but Happy Families, Kids Like Me (a new form )by Roberto…
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Jim Cummins Takes a Noir Detour
We date the “classic” noir period from 1941's The Maltese Falcon (or even Orson Welles' 1940 Citizen Kane, itself a mystery about Fate) to the 1959 Welles tour-de-force Touch of Evil. But noir wasn't noir until the French got…
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“Lost” [by David Wagoner]
Stand still. The trees ahead and bushes beside youAre not lost. Wherever you are is called Here,And you must treat it as a powerful stranger,Must ask permission to know it and be known.The forest…
