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For Summer: Poems by Latina/o/xs: Maryam Ivette Parhizkar
A memory of freedom forgotten by Maryam Ivette Parhizkar It comes seeking the legitimacy of history buteven that feels like a violence—that is: historyis narrative. The need to break the plotof itself. The field,…
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Bernard Welt: Pick of the Week [ed. Terence Winch]
photo by Arthur Gary ___________________________________________________________________________ Sabbatical for Doug Lang We hear tales of a wonderful country called Wales Only Wales is wholly imaginary, like Middle Earth Or the Starfleet Academy There is no…
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Keegan Lester Draws an Ace [by Ace Boggess]
HIGH ENERGY AND MOVEMENT “a river chipped with stars, night continues on without me.” by Keegan Lester http://www.poolpoetry.com/poet-keegan-lester.html What first drew me to David Lehman’s daily poems twenty years ago, and more recently the…
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Crediting Saul Bass [by Stefanie Green]
The credit sequences that open a movie constitute an under-appreciated art form, as you will conclude if you watch an hour of Saul Bass’s film title sequences on youtube.com [https://youtu.be/qqM3McG4-LE ]. Distinctive and recognizable,…
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Met Percent: Week Twenty-two [by Alec Bernstein]
Still Life With . . . Left: Still Life with Flowers and Fruit, Henri Fantin-Latour, 1866, gallery 824.Top right: Still Life with a Glass and Oysters, Jan Davidsz de Heem, 1640, gallery 964.Center right:…
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For Summer: Poems by Latina/o/xs: Edwin Torres
Subordinate Volca (after the eighth elegy) by Edwin Torres I dreamt I was holding a sea creature, tightly, in bed, the room was not mine, but a long darkened space with no walls, almost…
