Shelley Wong: Pick of the Week [ed. Terence Winch]

 

Shelley Wong---Kundiman_Retreat_Portraits_Margarita_Corporan-med  web

 

 

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When We Were Young

 

I was a month older. We both had

Chinese last names. She was also

 

Khmer, Thai & Vietnamese: a mix

of enemies. Thailand always

 

stealing temples along the border.

She identified as Khmer because

 

they needed her the most.

We were opposites, like our two

 

eventual cats. I was the aloof one,

lithe & nervous in my Audrey

 

Hepburn sunglasses. She was

the teasing one, smoking cloves

 

slouched in her brother’s frayed

skater clothes, seemingly

 

carefree. After high school, we lived

in New York City, met every

 

Gen X Khmer person in the New England

& Tri-State Area. I shredded papaya,

 

marveled at ahmok. Dancing

at banquets, I flared my fingers

 

like gladiolas opening. Like our elders,

our leisure included free Atlantic City

 

hotel rooms & touring the buffets. She’d blow

through a snapped snow crab leg

 

& split it cleanly, giving me a perfect

piece of meat. Spoiled, she called me

 

against the casino chimes. Her mother called

me oun—daughter. Growing up, she didn’t

 

know which stories about Cambodia

were true. She could sweet talk

 

anybody, especially a security guard.

Four generations deep in America,

 

I was more afraid. Chinese waiters

were confused when she spoke

 

instead of me. I was the light-skinned

tall girl with a blank face, the one who

 

paid the bill & didn’t suck the bones clean.

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Shelley Wong is the author of As She Appears (2022), longlisted for the National Book Award and winner of a Lambda Literary Award. She lives in San Francisco.

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Tamara de Lempicka  The Girls  ca.1930  oil on canvas.                                                                    Tamara de Lempicka, The Girls, ca.1930, oil on canvas.