BRINK
The meaning of quiet – those corridors
Knew it well. Softly
girls. This building is old,
Mother C lisped up stairs, her wimple
Flaring like a halo. At table, tennis, we twirled
spins
like neat habits. A single smash could dismantle
our world. Outside school, a man with a cleft lip
spiced slices of raw mango. Red chilli
burst into our mouth like explosions of sea water.
The heat moved us to shower. We limp-toed
into womanhood in spotless socks,
a generation afraid of bringing things down.
A backyard of bramble and weed was where
we found noise. It wandered knock-kneed
and had a tongue full of pins.
Through this poem, I discovered Anindita Sengupta
in a new anthology I will review here tomorrow. “Brink” caught my eye on a
flight from Mumbai to New Delhi on New Year’s Eve. I already intended to visit protests
there on violence against women. So yes, I was ripe to land on this hinge line
of “Brink:” “a generation afraid of bringing things down/ A backyard of bramble
and weed was where/we found noise.”
I also admired the poem’s focus on the “meaning
of quiet” and the deft insertion of the meaning of unquiet through a table
tennis scene: “A single smash could dismantle/ our world.” Just outside the
school in that poem, explosions are found, alliteratively and literally, in “spiced
slices of raw mango.”
City of Water, Sengupta’s first
collection of poems, was published in 2010 and won the Muse India Young Writer
award in 2012. She lives in Mumbai and is pictured with her nine-month-old daughter, Amaya.
I love how quickly you can travel the world and
the world of ideas on the Internet. I offer a few postcards from my travels
after meeting “Brink” on paper.
My first stop was Ultra Violet, a site for
contemporary feminism in India that Sengupta founded and edits. I’ve been
reading it regularly since my return to New York for its sophisticated coverage
of civics and culture and have had a few
email exchanges with Sengupta. Ultra
Violet reflects her ear and eye as a journalist and poet. She is one of six
international journalists recently awarded new media fellowships to report on
topics of global health by the School of Advanced International Studies at Johns Hopkins University. Sengupta will focus on maternal
and reproductive health as this link explains.
A delightful discovery of my trip to India was the
large number of journalists who write poetry or poets who support themselves as
journalists. Print journalism, at least for now, remains a robust business in
India. As a newspaper reporter for more than two decades before I made poems, I
fantasize about more cross-fertilization between poetry and journalism in the
United States. Both poets and journalists aspire to compressed truth. I’d love
to see more experiments like NewsPoet
where a poet spends the day in the newsroom at National Public Radio reflecting
on the day’s stories and composes a poem for the night’s broadcast. And I urge
journalists to look beyond the usual suspects of government officials,
academics and advocates and call poets for quotes. Who would not want to hear
what W.S. Merwin or Jorie Graham, or even better their poems, have to say on
climate change? A good poem is by technical definition a good sound bite.
Ultra Violet considers issues from political, cultural and practical angles. The poem “Not a Cactus” by Minal Sarosh shared recent
billing with astute analysis about needed reforms from a pioneering woman’s rights lawyer. “Our Cities,
Ourselves: An Open Letter to Mumbai City Administrators” examines how urban design affects women’s issues. Shilpa Phadke, an Ultra
Violet editor, sociologist and Assistant Professor at the Centre for Media and
Cultural Studies at the Tata Institute of Social Sciences, Mumbai, posted her letter and “Mumbai Rising,” a powerful video below produced at
the centre. Phadke is a co-author of the book Why Loiter? Women and Risk on
Mumbai Streets. The book argues that women should have the right to choose
to take risks in public space without being harassed. Phadke appeals to Mumbai
government officials for better public transit, expanded parks and restaurants
and bars open late at night which she argues is not only good for women but for
Mumbai’s reputation as a “world class city. Surely you care about international
financial investment.”
Like in travel, when you discover an interesting neighborhood, the best way
to explore is to just wander around. Ultra
Violet is a great place to roam.