Emily Jungmin Yoon: Pick of the Week [ed. Terence Winch]

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Say Grace

 

In my country our shamans were women

and our gods multiple until white people brought

an ecstasy of rosaries and our cities today

glow with crosses like graveyards. As a child

in Sunday school I was told I’d go to hell

if I didn’t believe in God. Our teacher was a woman

whose daughters wanted to be nuns and I asked

What about babies and what about Buddha, and she said

They’re in hell too and so I memorized prayers

and recited them in front of women

I did not believe in. Deliver us from evil.

O sweet Virgin Mary, amen. O sweet. O sweet.

In this country, which calls itself Christian,

what is sweeter than hearing Have mercy

on us. From those who serve different gods. O

clement, O loving, O God, O God, amidst ruins,

amidst waters, fleeing, fleeing. Deliver us from evil.

O sweet, O sweet. In this country,

point at the moon, at the stars, point at the way the lake lies,

with a hand full of feathers,

and they will look at the feathers. And kill you for it.

If a word for religion they don’t believe in is magic

so be it, let us have magic. Let us have

our own mothers and scarves, our spirits,

our shamans and our sacred books. Let us keep

our stars to ourselves and we shall pray

to no one. Let us eat

what makes us holy.

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Emily Jungmin Yoon is the author of A Cruelty Special to Our Species (Ecco, 2018), winner of the 2019 Devil’s Kitchen Reading Award and finalist for the 2020 Kate Tufts Discovery Award, and Ordinary Misfortunes (Tupelo Press, 2017), winner of the Sunken Garden Chapbook Prize. She has also translated and edited a chapbook of poems, Against Healing: Nine Korean Poets (Tilted Axis, 2019). She is the Poetry Editor for The Margins, the literary magazine of the Asian American Writers’ Workshop, and a PhD candidate in Korean literature at the University of Chicago. 

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Mansindo_(萬神圖) _early_19th-c._Korean_shamanic_painting

    Mansindo_(萬神圖), early 19th-c. Korean shamanic painting.