59 BITS FROM TANYA LARKIN’S *MY SCARLET WAYS* [selected by Anthony Madrid]

(Larkin, Tanya. My Scarlet Ways. Saturnalia Books, 2012. ISBN: 978-0-9833686-3-2. $14.) 

 

a proletariat anthem that sweetens wells

cranks swings and lands kids on their feet.

 

 

                   I will faint and resurrect

like a circus tent at dawn

first in one town, then another.

 

 

I was this pink, sun-cradled snake.

I grew anarchic red.

 

 

So gone into things, resigned

to winds, charmed by use—

they strapped me to a prow for luck.

 

 

like the bell in the broken doll’s head

we loved to kick around.

 

 

It’s not so bad,

the sound of losing at love.

When we broke off the arms of the statue

she softly came alive.

 

 

                                     playing us

like flutes and finding all the stops

 

 

           There is precisely this much me

in the room. And I know precisely

 

because I am not that girl off to powder-

puff in the leaves thinking, love

 

come smother me faster.

 

 

How good it must feel to play through the girls

 

 

                                  Goodbye, girls, I’ll see you

later in the place where your wings are trussed

 

 

                     I saw you there soaking in grass until grass

felt its sex and shouted, smite me like a nation

It is you, who washes death’s posable head

with soft licks. One day you will lick it entirely away

 

 

you suckhole of sincerity

 

 

I make a face at my neighbor and she makes a face back.

 

 

sniffing out sex-past or sex-future

 

 

there goes love’s hierarchy a pleasure only felt

by pleasure seekers

 

 

I cannot do it alone signing all your names to my letters

saying aren’t I brave dear so and so having feelings at all

 

 

These days I cannot get high enough

to vandalize the moon. I cannot get low

enough to eat earth and like it.

 

 

I care about style but it’s not everything.

It’s only anything insofar as I need it

to survive the sad pulp of late afternoon,

the sublime languors of a loved one as he or she

decides to have me or not.

 

 

                        o where is the cordless

the lost disc of postpunk seraphim rending the skies.

 

 

As if one foot in the door of the doom room.

 

 

As if Satan didn’t look so cute when defeated

his oversized wings curving over his head.

 

 

As if seasons didn’t matter but it’s your blankety blank life

Southern California or lack thereof.

As if Nebraska said give me a hill so I can jump.

As if for sooth we went pretending in feathered masks.

 

 

                                                       there was no

choice but to accept the foot into my chest, let it

kick in my ribs with its all-seeing heel

 

 

Happiness is unanimous the sun

bites down with its one blunt tooth

 

 

                           But I was quickest

to my quiver. My arrow was out.

I learn more from missing—when I miss.

 

 

Three whole seconds of true leaf affection
you missed because you were off with your blankey

your nose in the moss a finger in the lining.

 

 

                      The book I was reading bit me,

and I tried to bite it back, but left the dream

 

for another, jawing at the air.

 

 

HEAVEN AND HELL ARE REAL PLACES

 

Goody for them but I’ll keep walking

 

 

Inside it, horses will foam at the mouth. A row of archers

shall go down on one knee.

 

 

put the wreck back in recreation

 

 

a bloom itself that releases a fragrant steam, Pah Pah, into the sky

 

 

I throw out a shoulder thinking up music

 

 

just my God’s much farther than yours—

not a quick scramble up the light.

 

 

What are you, style? Besides something to fool

around with until the real thing comes along

a way to say, here I interject a little weather.

 

 

When I write fiction, I call you the distance

between me and my characters. In a poem, are you

the distance between me and myself? Is the goal

not to have you at all but to burn in my own flame

not just sit there by the fire singing songs and

warming my hands? That seems a little extreme

 

 

More likely, style, you’re an instinct for self-

preservation, so I don’t blame those who hide

in you.

 

 

                                                 without distance

there’s no love—no room to cast oneself out.

 

 

Here kissings lasts a country mile.

 

 

I run my silver down your parts.

You run your silver down mine.

 

 

The sun has a body to go with its head.

 

 

My little dark one, my little death,

she said, nothing exists until you lick it.

I said I wanted to be licked.

 

 

Look at the cypress, I said, it really

knows how to use its drama. Lick it,

she said. But it already exists, I said.

 

 

The sense of being haunted is bunk, divine bunk.

 

 

Today I strive but tomorrow I will go

at the pace of an heir. No need to hurry

through anything, even sadness or cold,

since time is money and tomorrow I shall have

plenty of that.

 

 

                                                   now I reject

anything I can have easily, which is quite a lot

now that I am rich. Just think of all the stuff!

 

 

                                           every marked and

unmarked tree in this double silent old growth

forest belongs to me.

 

 

I leave the little beasts alone in their zoo of light

and turn to accept the admiration of the poor,

who nod and wonder at my enormous discipline,

which keeps them from killing and mounting me

on the walls of their otherwise tasteless, suburban homes.

 

 

We were spinning ourselves into a rare dessert,

a delicate sugar helmet, deliriously scribbled, snow

that would melt on contact with that other, intractable world.

French King Henry took to wearing a basket of little dogs

on a ribbon around his neck.

 

 

The English called it sprezzatura, the ability to think

an impossible lightness into the body and leap over

a mess of tombs thereby escaping your godbound

enemies or by the flourishes of a sword

cut the gown into a hundred bits the leaving the woman

that had been so tightly bandaged in tulle more or less

naked not even nicked by the sword.

 

 

                                                            She is

the lucky beneficiary of another’s studied

effortlessness. You will carry her across death

because you have matched yourself

to nothingness and she has not.

 

 

The suitors are doing donuts in the parking lot.

 

 

Pig or god, I am learning how it’s done.

 

 

One sure way of getting behind

God’s back is by making a trumpet

of some devil’s minion’s ass in a poem

 

 

       ground him down to a pilgrim

with her stare;

 

 

Wise she was from letting us drink ourselves

to death.

 

 

I never went home those days. I was home-free.

 

 

How far exactly is Cho-fu-Sa? Will I ever know

the distance one can travel away from the self to another

 

without breaking apart, until I have arrived, white-hot

and thirsty, looking to tie one on in a three-syllable town:

 

 

ripened by the miles I’ve walked

 

 

the mirror where I practiced how to kill

and spare a life all in one look